May 21 – August 15, 2016
New York-based artist Kate Gilmore combines humor and physical endurance in her feminist-inspired works to create strikingly memorable performances and videos. Gilmore’s performances typically showcase the artist or other women femininely dressed and engaged in monotonous, physically arduous, and often rather inane tasks that call out and disrupt gender stereotypes. For the Everson, Gilmore presents a selection of video performances spanning more than a decade as well as a new temporary sculptural installation created specifically for the Everson Community Plaza. Linking the indoor and outdoor components, performers will activate the public sculpture throughout the summer.
February 6 - July 31, 2016
Painters, photographers and ceramists alike have found inspiration in the landscape, drawing on the natural world as a subject, metaphor and creative force. Taking a generous approach to interpreting the genre, this exhibition brings together an eclectic mix of works from the Everson’s collection that highlights landscapes’ enduring hold on the human imagination. Featured are well-known works by Andrew Wyeth and Ansel Adams as well as little-seen pieces by Robert Arneson, Kenzo Okada, Laura Gilpin and others.
On View Through June 2016
Adelaide Alsop Robineau, a major figure in the Arts and Crafts movement and today considered one of America’s preeminent art potters, is known for her exquisite porcelains decorated with intricate carvings and crystalline glazes. This exhibition features more than seventy of Robineau’s works, a number of which were part of the Everson’s original purchase of Robineau’s porcelains in 1916, an acquisition that set the course for the Museum’s long-term commitment to collecting ceramics. On display in the exhibition are many visitor favorites, including the famous Scarab Vase, believed to be Robineau’s masterpiece.
Currently on View at Syracuse Hancock International Airport
Inaugurated in 1932 at the Everson, the Ceramic National juried exhibitions helped shape the course of ceramic history and launched the careers of many notable ceramic artists. This special exhibition showcases more than 70 pieces drawn from the Ceramic National exhibitions, all of which are now part of the Everson’s acclaimed collection.
On View through June 5, 2016
In 1965 the Museum of Modern Art opened The Responsive Eye, a landmark exhibition which featured works by 100 modern artists who used abstract forms to examine how different shapes, patterns and colors could affect the eye of a viewer. Often called “Op Art” due to their relationships to the study of optics and optical illusions, these works appear to move, shimmer, or vibrate despite the fact that they are stationary. This exhibition revisits the work of four of the artists included in the seminal survey: Josef Albers, Richard Anuszkiewicz, Frank Stella and Victor Vasarely, as well as their Latin contemporary Jesús Rafael Soto.