CURRENT EXHIBITIONS

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, Lasting Impressions explores highlights from the Everson’s collection of twentieth century prints.

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. Casual China showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company and others.

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson’s collection as it exists today. This exhibition examines over one hundred years of the Museum’s collecting priorities, from the Museum’s earliest acquisitions in 1911 to work acquired in 2019.

Late Night Space Force features new work by Adam Milner that draws upon emerging NASA technology, the aesthetics of science and history museums, and the Moon’s presence in our daily lives through popular culture as a way to examine the Moon as a central figure in modern life. From late night talk shows to government and corporate space agencies, the Moon’s presence in our cultural landscape is the underpinning for Milner’s investigation into how our romantic attachment to the Moon so quickly slips into physical conquest.

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process. This exhibition is a partnership with the Syracuse University School of Art, with additional support from Laguna Clay Company.

In celebration of the Everson’s 50th anniversary, the museum commissioned Thomas Spoerndle to create a site-specific wall drawing. Spoerndle was selected because of his interest in scale, geometric abstraction, and the ways his work creates a dialogue with artworks in the Museum’s Collection as well as architect I.M. Pei’s museum design.

In celebration of the Everson’s 50th anniversary, the Museum commissioned Elliott Katz to create site-specific installations for the spaces that architect I.M. Pei designed as planters. Katz was selected for the commission because of how his work engages with the significance of materials and questions how we form relationships to those materials, as well as his interest in contrasting the Modernist belief in controlling nature against the Wabi sabi belief in the fundamental uncontrollability of nature. Using natural and synthetic materials, photography, scale, and illusion, Katz’s serious and playful installations transform familiar objects into curious mysteries that defy simple categorization and ignite our imagination.