On View January 19 – June 23, 2019
Dating back to the Ceramic National exhibitions, which began in 1932, the Everson has a rich history of supporting artists who explore the figure. Artists like Viktor Schreckengost, Edris Eckhardt, and Waylande Gregory routinely received awards and critical acclaim for their work. Key Figures examines the larger-than-life artists who shaped an art movement, and features select works from a new generation of artists who are building on this legacy by using the figure to explore identity, narrative, and allegory.
On View February 9 – April 21, 2019
Artist and theorist Suzanne Anker positions her work at the intersection of art and biology using a wide range of media, from genetically modified plants, digital sculpture, and installation to large-scale photography and projected video. 1.5° Celsius references the projected increase in temperature between 2030 and 2052 if global warming continues at its current pace and the world fails to take significant action to reverse the increase, according to a United Nations report published on October 7, 2018. This subtle yet substantial change in temperature will have seismic implications for climate change, species extinction, and toxic degradation. Anker’s investigations into these issues encourage critical and enlightened thinking about the ways humans have altered nature in the past and will be required to alter nature in the twenty-first century.
September 24 – December 31, 2016
Drawn from the Everson’s collection, this exhibition features an eclectic mix of works that address the theme of life in the home over the past 150 years. Including paintings, sculptures, prints, drawings, photographs, video, ceramics, and decorative arts objects, Home Sweet Home presents a multi-faceted view of the home, its spaces, furnishings, and inhabitants.
On View February 9 – April 21, 2019
The work of pioneering video artist Frank Gillette focuses on humans’ experience of natural phenomena. Using multi-channel video installations with image feedback, time delay, and closed-circuit systems, Gillette is of a generation of artists who defined the way video technologies would be used as an art form. Gillette has become increasingly fascinated with the potential of digital media to subvert our obsession with speed, and creates work that embraces a Zen-inspired experience of slow time. Creating multi-channel installations that are always shifting, contain no beginning or end, and juxtapose traditional modes of art making (such as still life, landscape, and symbolic interaction,) Gillette continues to deepen a career-long investigation into the intersections of technology, ecology, and cognition.
On view through December 17, 2016
The culmination of Marie Lorenz’s journey along the Erie Canal and the Hudson River in the summer of 2016, this multi-media exhibition brings together new works along with research, documentation and materials from the voyage.
On View Through November 2016
Adelaide Alsop Robineau, a major figure in the Arts and Crafts movement and today considered one of America’s preeminent art potters, is known for her exquisite porcelains decorated with intricate carvings and crystalline glazes. This exhibition features more than seventy of Robineau’s works, a number of which were part of the Everson’s original purchase of Robineau’s porcelains in 1916, an acquisition that set the course for the Museum’s long-term commitment to collecting ceramics. On display in the exhibition are many visitor favorites, including the famous Scarab Vase, believed to be Robineau’s masterpiece.
On View October 13, 2018 - January 20, 2019
Art Within Art: The Everson at 50 commemorates the 50th anniversary of architect I.M. Pei’s landmark Everson Museum of Art. The exhibition and associated programming explore Pei’s radical notion that the structure of a museum is as important as the art it contains, a belief that directly impacts curatorial choices in both art and programs. Including never before seen plans, photographs, models, ephemera, and archival materials alongside selected artworks from the Everson’s collection, Art Within Art examines the aesthetic and conceptual similarities between Pei’s building and the art it houses, revealing the lasting impact of great architecture.
September 9 – November 20, 2016
Civic Virtue: all over the floor brings together a unique selection of artworks from the Everson’s collection that address the difficult, yet essential, role an active citizenry plays within a healthy democracy.
June 4 – August 28, 2016
4 28June August
The Everson Biennial has been an important platform for contemporary art by New York State artists since its inception in 1974, offering an outlet for creative visual expression and facilitating lively conversations about both what contemporary art is and what it has the power to become. Kindred Beasts continues this tradition by presenting a carefully selected group of eight artists whose work focuses on the use of fiber and clay. Each artist interprets the medium in unique and innovative ways, while remaining deeply engaged with tradition and respectful of the past. Representing six counties across the state, the artists are: Joe Fyfe, Jeffrey Gibson, Sarah Hewitt, Liz Lurie, Matt Nolen, Sarah Saulson, Bobby Silverman and Linda Sormin.