Syracuse Hancock International Airport
Inaugurated in 1932 at the Everson, the Ceramic National juried exhibitions helped shape the course of ceramic history and launched the careers of many notable ceramic artists. This special exhibition showcases more than 70 pieces drawn from the Ceramic National exhibitions, all of which are now part of the Everson’s acclaimed collection.
May 17–June 24, 2018
The Student Art Open 2018 features work made by Central New York high school students curated by the Everson Teen Arts Council through an open call for entries.
February 17 – May 13, 2018
For over twenty years, Sheila Pepe has constructed large-scale, ephemeral installations and sculpture made out of domestic and industrial fibrous materials. This exhibition, the first mid-career survey of Pepe’s work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making. Hot Mess Formalism is organized by the Phoenix Art Museum and is accompanied by a fully illustrated catalog. Sheila Pepe: Hot Mess Formalism is made possible through a grant from The Coby Foundation, Ltd.
September 24 – December 31, 2016
Angela Fraleigh, based in New York City and Allentown, co-opts the techniques, media, and styles of the European Old Masters to create monumental paintings of female figures that explore social constructs of gender, power, and identity. Combining abstraction and realism, her visually seductive and complicated paintings reflect on art history, literature, and popular culture. For the Everson, Fraleigh presents new paintings inspired by works in the Everson’s collection, women of the Arts and Crafts movement and important female figures in the history of Central New York.
September 24 – December 31, 2016
Drawn from the Everson’s collection, this exhibition features an eclectic mix of works that address the theme of life in the home over the past 150 years. Including paintings, sculptures, prints, drawings, photographs, video, ceramics, and decorative arts objects, Home Sweet Home presents a multi-faceted view of the home, its spaces, furnishings, and inhabitants.
January 27 – May 13, 2018
Based in Los Angeles, Edie Fake explores themes of gender, sexuality, and identity through illustration, painting, and comic book design. This exhibition presents a selection of Fake’s meticulously rendered gouache and ink architectural drawings, which focus on facade and ornamentation as a way to understand our bodies, selves, and the importance of the spaces we inhabit.
January 20 – April 29, 2018
This exhibition, the first museum retrospective of American artist Jeff Donaldson (1932-2004), explores four decades of the artist’s career, spanning from his activist roots in Chicago as a founding member of the AfriCOBRA movement to his influence on future generations of artists as a professor at Howard University. Donaldson’s work is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of black culture.
On view through December 17, 2016
The culmination of Marie Lorenz’s journey along the Erie Canal and the Hudson River in the summer of 2016, this multi-media exhibition brings together new works along with research, documentation and materials from the voyage.
On View Through November 2016
Adelaide Alsop Robineau, a major figure in the Arts and Crafts movement and today considered one of America’s preeminent art potters, is known for her exquisite porcelains decorated with intricate carvings and crystalline glazes. This exhibition features more than seventy of Robineau’s works, a number of which were part of the Everson’s original purchase of Robineau’s porcelains in 1916, an acquisition that set the course for the Museum’s long-term commitment to collecting ceramics. On display in the exhibition are many visitor favorites, including the famous Scarab Vase, believed to be Robineau’s masterpiece.
September 16 – December 31, 2017
Based in Los Angeles, Suné Woods works in multi-channel video installations, photography, and collage. Presenting intimate vignettes of couples or solitary actions of individuals in two video installations, When a heart scatter, scatter, scatter is a vulnerable exploration of desire, forgiveness, and resilience.