UPCOMING EXHIBITIONS

Featuring the work of six Syracuse University studio arts MFA candidates working across media and disciplines, Rubbish questions what waste materials can say about our collective history. This exhibition is presented through the Everson’s Community Exhibitions Program.

CNY Arts’ 46th annual On My Own Time exhibition connects Central New York businesses in a collaboration that promotes the benefits of the creative process across community sectors. Original works created by amateur artists working in a variety of professions were displayed at their work sites. This professional juried selection recognizes the outstanding works by employees of Central New York companies and organizations.

Late Night Space Force features new work by Adam Milner that draws upon emerging NASA technology, the aesthetics of science and history museums, and the Moon’s presence in our daily lives through popular culture as a way to examine the Moon as a central figure in modern life. From late night talk shows to government and corporate space agencies, the Moon’s presence in our cultural landscape is the underpinning for Milner’s investigation into how our romantic attachment to the Moon so quickly slips into physical conquest.

In 1911, the Syracuse Museum of Fine Arts (known today as the Everson) made history as the first museum in the country to declare that it would focus on collecting works made by American artists. This decision, implemented by Museum Director Fernando Carter, was the first of many made by directors that ultimately defined the Everson’s collection as it exists today. This exhibition examines over one hundred years of the Museum’s collecting priorities, from the Museum’s earliest acquisitions in 1911 to work acquired in 2019.

AbStranded brings together a focused group of contemporary American artists who use fiber-based materials to investigate the complex lineage of abstraction. Utilizing a diverse variety of methods, styles, and forms, these artists uncover and co-opt textile traditions and material sources in order to re-assert their validity and relevance in an increasingly global-industrial culture. A prominent use of the hand looms large—through knitting, weaving, quilting, and more—and suggests an alternative mode of communication within today’s digital society. Together, the works on view reveal how artists employ the language of abstraction to speak about the intertwined histories and politics of craft, race, and gender.