Nancy Friedemann-Sánchez is a Colombian American artist who explores her heritage through works that combine Colombia’s material culture, history, and natural world. For the works featured in Dream Map and Cornucopia, Friedemann-Sánchez begins with an image of a ceramic vessel that speaks to the complex history of Latin America and its diaspora. she then transforms these vessels into bountiful cornucopia, bursting with flora and fauna that evoke Colombia’s rich ecosystems. Together with the Everson’s Paul Phillips and Sharon Sullivan Curator of Ceramics, Garth Johnson, Friedemann-Sánchez has also selected an array of ceramic works from the Museum’s permanent collection that reflect her interest in Latin America’s tapestry of Indigenous and colonial cultures.
Nancy Friedemann-Sánchez
Dream Map and Cornucopia with Helicopters, 2022
Ink on Tyvek, 135 x 90 inches
Courtesy of the artist
Nancy Friedemann-Sánchez
Dream Map and Cornucopia with Trump Trucks, 2021
Ink on Tyvek, 135 x 90 inches
Courtesy of the artist
Nancy Friedemann-Sánchez
Dream Map and Cornucopia with Jaguar, 2022
Ink on Tyvek, 135 x 90 inches
Courtesy of the artist
Nancy Friedemann-Sánchez
Dream Map and Cornucopia with with Totumo, 2018
Ink on Tyvek, 135 x 90 inches
Courtesy of the artist
This exhibition is generously supported by the Winifred & DeVillo Sloan, Jr. Family Fund. The Everson is supported by the Dorothy and Marshall M. Reisman Foundation; the General Operating Support program, a regrant program of the County of Onondaga with the support of County Executive, J. Ryan McMahon II, and the Onondaga County Legislature, administered by CNY Arts; and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Nancy Friedemann-Sánchez
Nancy Friedemann-Sánchez is a Colombian-American, mid-career artist with an interdisciplinary practice. She grew up in Colombia as the child of a Colombian and a United States citizen and migrated to the US as an adult. Her art is about the curious and intense experience of having physically migrated, yet still having a piece of herself rooted in Colombia. She is creating an intersectional feminist visual novel that is a multifaceted project comprised of paintings, sculptures, objects, and mixed media that together—and in different voices—weave a synchronicity of dialogues, passages, and punctuations about hybridity and cultural ownership.