In Relapse, the penultimate number of Erin Cuevas’s Ouroboros, three dancers appear suspended within a field of projected digital images. Striped vertical lines mark each body. As they begin to glide up...

Amid this surge of invention, largely led by men, a woman stood out. Adelaide Alsop Robineau refused to within the limits set for her. When most women were confined to painting...

Claymania at the Everson Museum of Art! The Everson is proud to host a spring and summer dedicated to clay and ceramics with several new exhibitions and events inside the Museum...